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Didactics of the arts --- Aesthetics of art --- esthetica --- kunst
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Jean-Luc Chalumeau --- kunst --- kunsttheorie --- esthetica --- filosofie --- kunstfilosofie --- 7.01
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Aesthetics --- Esthetica --- Esthétique --- kunstfilosofie --- Art --- philosophy of art --- Philosophy --- History --- Art criticism
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In the late Middle Ages, Chaucer invented two imaginative domains - antiquity and modernity - that proved crucial to his culture and to our subsequent understanding of the emergence of selfhood, subjectivity and social arrangements. This study shows how Chaucer's effort to imagine these two worlds grew out of a reading and rewriting of Boccaccio's work. The poems of Chaucer's artistic maturity are thus connected to literary tradition, and particularly the European vernacular, at the same time that they perform the cultural work of examining the mythic origins of medieval institutions and expressing the experience of social and historical change. Edwards provides us with a valuable way of approaching Chaucer's poetry and his complex vision of late medieval culture.
Aesthetics [Ancient] --- Aesthetics [Medieval ] --- Antieke esthetica --- Esthetica [Middeleeuwse ] --- Esthetica van de oudheid --- Esthétique ancienne --- Esthétique de l'antiquité --- Esthétique médiévale --- Intertextualiteit --- Intertextuality --- Intertextualité --- Medieval aesthetics --- Middeleeuwse esthetica --- English poetry --- Italian influences --- Chaucer, Geoffrey --- Knowledge --- Literature --- Sources --- Boccaccio, Giovanni --- Appreciation --- England --- Influence --- Chaucer, Geoffrey (1340?-1400) --- Boccace (1313-1375) --- Poésie anglaise --- Esthétique antique --- Savoir et érudition --- Littérature --- Appréciation --- Angleterre (GB) --- Influence italienne
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7.01 --- Kunst ; theorie, filosofie, esthetica --- #A0306H --- Art --- art criticism --- kunstbeschouwing
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The contributors to this volume challenge and help to define a perception of architecture that considers what architecture should be, what it does, and how it is involved in our lives.
architectuurfilosofie --- architectuurtheorie --- Architecture --- architectural theory --- Philosophy. --- Philosophie --- Architectuurtheorie ; 21ste eeuw --- Tschumi, Bernard --- Architectuur en filosofie --- 72.01 --- Architectuur ; theorie, filosofie, esthetica --- Architectuurtheorie --- Architectuur (theorie) --- Architectuuresthetica --- Architectuur (esthetica) --- Philosophy --- Architecture - Philosophy --- Architecture - Philosophie
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Qu'est-ce qui fait tenir une peinture, autrement dit, qu'est-ce qui retient le regard au-delà du premier coup d’œil ? À quoi tient la peinture et où se tient la peinture ? Dans son sujet, dans ce qu'elle représente et dans la manière de le représenter, ou dans son aspect, dans son effet et son apparence ? Est-elle affaire de représentation intelligible ou le présentation sensible ?
Painting --- Aesthetics. --- Painting, Abstract. --- Philosophy. --- Soulages, Pierre, --- 7.01 <4> --- 7.01 <4> Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--Europa --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--Europa --- Painting - Philosophy. --- Soulages, Pierre, - 1919 --- -7.01 <4> --- Soulages, Pierre, - 1919-
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111.85 --- Metafysica: schoonheid; metafysische esthetica --- Aesthetics. --- 111.85 Metafysica: schoonheid; metafysische esthetica --- Aesthetics --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Radio broadcasting Aesthetics
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